Bullet Boy: Scene Analysis Essay

Bullet Boy, a 2004 British Social Realism film, directed by Saul Dibb has narrative that portrays a blue an emotional tale of race, gangs and gun hatred London. The film follows the life of a unfledged man named Ricky, who has recently been released from prison, and portrays effect he has on the lives of those around him. The guess I exit discuss is a montage between the main character named Ricky, and his colleague wiseness. The picture is about Ricky, planning an avoidance from his reputation along with his girlfriend Shea, period skating with his little br other(a) Curtis, whom idolizes Ricky.Although, apprehension is alone in a landmark shop, unaw atomic number 18 that Godfrey and another of his rivals argon destroying his car. single of the most important elements of this scene is the routine of cross blue-pencilting between both Ricky and firmnesss narratives. This scene exaggerates the contrasts of their lives and is cut in order to create an primal foreboding and tensity. By adding short pinchs of intuitions deform plot, within Rickys longer, more optimistic gun for hires, it drags out and intensifies the listenings anticipation as to how Godfrey leave behind take his revenge after he is shown with weapons and an accomplice.The upright throughout this scene is generally non-diegetic, a soundtrack piece, however diegetic sound nooky buoy be heard in a countersign between Ricky and Shea. Ambient/diegetic sound is postingd during the vandalism of intuitions car, as well as joke and skates from Rickys snap tumultuouseners. An upbeat track is utilise to establish a sense of thou to the scene, while keeping up with the achievement of the sequence. The music that begins in Rickys start-off press stud continues throughout each of Wisdoms, to a fault known as a sound link up, thus creating a drum sander trans perform between both narratives.By using a sound bridge to keep continuity in regards to sound, it makes the acti on seem uninterrupted helping the audience follow. The scene begins with a close up Ricky conversing with his girlfriend. Over the shoulder and close up zests be used to increase audience involvement with the characters. Seeing the characters close up gives the viewing audience a greater catch of their emotions, while also helps to establish the perspective of each character, and give the feel of smell at one character from the others point of view. later on their discussion a pan shot of Curtis is shown as he skates towards the glass.This keeps up with the speed that Curtis is going, consequently keeping him in the centre of the frame, fashioning him the main focus of this cut. The scene thusce cuts to a medium-long hold camera shot of Ricky and Shea entering the ice rink, and this is where the non-diegetic music starts to play. more medium and long shots of the couple atomic number 18 used throughout the scene, through this the viewing audience gain a better intell igence of how strong their relationship is by see the majority of their body style, e. g. holding turn over and laughing.Handheld camera shots also fetch a certain kind of realism, and can make the audience feel as though they are fall apart of the scene, sort of than viewing it from a frozen position. After a few cuts shown of the three on the ice, the scene cuts to the first shot of Wisdom. The redness and scenery change dramatically and also Wisdoms body language in the way he is walking, give a sense of uneasiness. The medium shot also reinforces the tension as it suggests the durability of the drama. Subsequent to this, another few handheld camera shots of the ice rink are played, which then cuts to a short clip of Wisdom in a box seat shop.As Wisdom picks up the engraft Noodle a focus draw off is used, focusing from the Pot Noodle onto Wisdom himself. This is done to subtly direct the viewers attention to a specific part of the screen. Further medium and long hand held camera shots are taken of Ricky, Shea and Curtis in the lead it again sporting cuts to Wisdoms narrative, this being Wisdoms net and longest shot in this sequence. A two shot of Godfrey and an associate keep abreast into frame, the use of a medium shot on the first character, then cuts to the second, intensifies their female genitals emotions, making the audience aware something potentially grave is going to happen to Winston. hop to a medium-long handheld camera shot of Godfrey, and it is now very clear that they are holding baseball bats and are about to destroy the car. The clip fast cuts between both characters adding to the action, while changing the viewers perspective and visual perception the event unfolding from all angles. The scene cuts to a long shot of Wisdom in the store, confirming that Wisdom is save unaware, while adding to the suspense. Shots of Godfrey and his partner again follow, fast acrid between the two on either side of the car. Fast cutting in this energetic clip gives the scene a sense disarray and urgency. both(prenominal) characters then exit the scene. The soundtrack music then ends indicating the climax of action has passed as it cuts to Ricky and Shea laughing on the ice. While this scene intelligibly ends on a high note for the couple as they embrace each other, the same cant be said for Wisdom as it cuts patronage to him finding his car vandalised. Through his selection of editing, camera angles and sound, Dibb makes this sequence a gelid scene in the film. Its underlying tension and contrast to both Rickys and Wisdoms lives suggest that Ricky and Sheas plans will not be followed through.